3/20/2023 0 Comments Compositing in perfect layers 8But it isn’t, it just appears that way because of the red layer above it. If I lay a red piece of glass over a clear one, from above it will look like the clear one is also red. They change the appearance of pixels underneath without actually permanently changing or deleting any of them. The great thing about adjustment layers is they work by making changes on a transparent layer, separate from your original image. You can add more images as layers, or add adjustment layers that are used only to apply effects to the layers below them. You choose whether it’s transparent or opaque, what parts of it are visible, how it interacts with the layers below it, and if it hides or reveals layers beneath it. Over, this you stack other panes of glass, each with its own characteristics which you have complete control over. Your original image starts as the bottom layer. Layers are your project’s building blocks, imagine them as sheets of glass we stack over each other. If you have used Photoshop or other editors before, you may be familiar with the concepts of layers, masks, blending and opacity, the same concepts are used in Luminar. But a refresher is always a good idea! Layers Not that they are difficult to master, compositing just requires you to think about your images and the creative process a little differently. In this article I’ll take you down the second path, introducing how to use Skylum’s new Luminar 2018 to start doing your own composites.īefore we dive into making a composite, there are some core concepts you should be comfortable with. This is compositing, combining multiple images and effects to produce an original piece of art. It may be combined with other photos as a composite, have various effects applied, and generally will look completely different from what you started with, but in a good way! Here the focus is on creating something new, using your original image only as the first ingredient. The second path is to take that photo and transform it into something completely different. This is your standard digital darkroom workflow, adjusting your exposure, getting rid of dust spots, cropping, etc., with more of a focus on realism. The first is to use your photo processing software to get your image looking as close to what you saw when you took it. In the digital darkroom, we can take two paths with our images. (Editor’s note: Photofocus author Jason Hahn introduces the core concepts of making textured composites in this article.
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